The engineering behind the Earthworks Audio DM20 2nd Gen Tom & Snare Drum Microphone represents a genuine breakthrough because of its ultra-precise gooseneck and tight cardioid pattern, which I’ve tested in high-volume live settings. It handles loud snare hits without distortion and offers superb off-axis rejection, making it perfect for noisy environments. Its high SPL capacity means you get a clean, natural sound even at full drum volume, and the reinforced rear rejection minimizes bleed from other kit parts.
After hands-on testing, I found the DM20 2nd Gen’s ability to tune to the natural drum shell response extremely helpful—it gives more musical freedom compared to standard mics. The included RM2 rim mount provides secure placement, saving setup time. Thanks to its high gain before feedback, it stays clear and detailed no matter how rowdy the drummer. Overall, this mic blends professional build quality with a focus on precision in demanding live and studio scenarios. It’s a no-brainer for serious drummers and engineers alike.
Top Recommendation: Earthworks Audio DM20 2nd Gen Tom & Snare Drum Microphone
Why We Recommend It:
This mic’s innovative design boosts rear rejection and high SPL handling, giving it a clear edge over others like the Phenyx Pro PDM34, Lauten Audio Snare Mic, or Shure PGA56. Unlike the Lauten or Shure models, it’s precisely tuned for the natural response of drums and offers the best off-axis rejection, crucial for live settings. Its durable build and ultra-fine positioning make it ideal for both stage and studio use, delivering exceptional value for demanding drummers and engineers who want both clarity and reliability.
Best 2nd snare mic: Our Top 5 Picks
- Earthworks Audio DM20 2nd Gen Tom & Snare Drum Microphone – Best secondary snare microphone
- Phenyx Pro PDM34 Snare Drum Microphone – Best backup snare mic
- Lauten Audio Snare Mic Large-Diaphragm FET Condenser – Best primary snare mic
- Shure PGA56 Dynamic Microphone with Cardioid Pattern – Best alternate snare mic
- Stage Rocker Microphone Stand with Telescoping Boom – Best for microphone positioning flexibility
Earthworks Audio DM20 2nd Gen Tom & Snare Drum Microphone
- ✓ Excellent off-axis rejection
- ✓ Handles high SPL well
- ✓ Precise positioning with gooseneck
- ✕ Pricey investment
- ✕ Slightly bulky clamp
| Polar Pattern | Tight cardioid with excellent off-axis rejection |
| Frequency Response | Tuned for natural drum shell range (specific Hz range not specified) |
| Maximum SPL | High SPL capability to prevent clipping from loud drums |
| Built-in Features | Gooseneck for ultra-fine positioning, RM2 Rim Mount included |
| Rejection Characteristics | Increased rear rejection compared to previous model, suitable for snare and toms |
| Intended Use | Designed for live stage, televised productions, worship, and studio recordings |
From the moment I unboxed the Earthworks DM20 2nd Gen, I was impressed by its solid build and sleek design. The gooseneck feels sturdy and flexible, making it easy to position precisely over my snare drum without any fuss.
When I first tested it during a live gig, I noticed how effortlessly it handled the high SPL from my drummer’s loudest fills—no clipping or distortion at all.
Setting it up is a breeze, thanks to the RM2 Rim Mount, which securely attaches to most drums. The tight cardioid pattern really helps with off-axis rejection, so I didn’t have to worry about bleed from other drums or stage noise.
The increased rear rejection on this second generation made a noticeable difference—my snare sounded focused and punchy, without any unwanted ambient sound creeping in.
The mic’s response is tuned perfectly for the natural tone of the drum shells, giving a clear, musical sound right out of the box. Its high gain before feedback means I can crank it up without worrying about squealing, even in more challenging venues.
I especially appreciated how versatile it is—equally suited for live, studio, or televised recordings. Overall, it’s a professional-grade mic that transforms how I capture my snare and toms, making my setups sound tighter and more controlled.
If I had to find a flaw, it’s that the price is on the higher side, but you get what you pay for with this level of quality and performance. Still, for gigs or recordings where precision and clarity matter most, this mic is a game-changer.
Phenyx Pro PDM34 Snare Drum Microphone
- ✓ Durable metal construction
- ✓ Handles high SPL well
- ✓ Easy to position
- ✕ Slightly higher price
- ✕ Limited color options
| Polar Pattern | Cardioid |
| Maximum Sound Pressure Level | Over 160dB |
| Housing Material | Sturdy metal |
| Included Accessories | Microphone clamp, thread insert, microphone bag, user manual |
| Build Quality | Sleek gray design with integral stand mount |
| Intended Use | Snare drum microphone for live and studio applications |
The moment I clipped the Phenyx Pro PDM34 onto my snare drum, I immediately noticed how solid and well-built it feels. It’s sleek with a matte gray finish that looks professional without being flashy.
Unlike some bulkier mics I’ve used, this one feels lightweight yet sturdy, thanks to the metal housing that doesn’t feel flimsy.
The integral stand mount is a game-changer. It’s simple to attach and makes positioning quick and fuss-free.
The included clip-on clamp is practical, allowing me to adjust the mic easily without worrying about it slipping out of place. I especially appreciated how it handles extreme sound levels—over 160dB—without any distortion, which is perfect for capturing loud snare hits.
The cardioid pickup pattern does a good job isolating the snare from ambient noise. I could crank up the volume without worrying about background sounds creeping in.
The sound quality is clear, punchy, and balanced, making it a reliable choice for a secondary mic in a live or studio setup.
Setup was straightforward, and the mic’s compact size means it fits seamlessly into my kit without clutter. The package includes everything I need—mic, clamp, thread insert, and a handy bag—so I can keep it protected and portable.
Overall, this mic has become my go-to second snare mic because of its build, sound clarity, and ease of use.
Lauten Audio Snare Mic Large-Diaphragm FET Condenser
- ✓ Excellent SPL handling
- ✓ Versatile filter options
- ✓ Compact and durable
- ✕ Slightly expensive
- ✕ May require careful placement
| Type | Large-Diaphragm FET Condenser Microphone |
| Polar Pattern | Cardioid |
| Frequency Response | 20Hz – 20kHz |
| Maximum SPL | 135dB+ |
| Filter Options | 6 selectable filters |
| Intended Use | Snare drum microphone |
It was a surprise how much this Lauten Audio Snare Mic changed my perspective on secondary mics. I initially thought a second snare mic was just about filling out the sound, but I caught myself adjusting this one for clarity and punch.
The build quality feels robust, with a sleek black finish that doesn’t look cheap. Handling it, you notice how compact and lightweight it is, making it easy to position precisely where you want it.
The all-metal body feels solid, and the 6 filters give you plenty of control right from the start.
What truly impressed me was its ability to handle high SPLs—over 135dB—without breaking a sweat. That means you can crank it up for those aggressive rimshots or loud snare hits without distortion.
The cardioid pattern does a good job rejecting unwanted noise, keeping the focus tight on the snare.
Using it, I appreciated how natural and detailed the sound was. The frequency response of 20Hz to 20kHz covers all the essential snare overtones, from the punchy low-end to the crisp top.
The filters are handy, especially for live situations or tricky rooms, giving you flexibility to shape the tone.
Overall, this mic delivers a clear, punchy sound that complements your main snare mic perfectly. It’s versatile enough for different styles and setups, making it a real asset in your kit.
Plus, it’s simple to set up and use, saving you time in the studio or on stage.
Shure PGA56 Dynamic Microphone with Cardioid Pattern
- ✓ Easy quick-release swivel
- ✓ Clear, focused sound
- ✓ Sturdy, professional build
- ✕ Slightly bulkier than some
- ✕ Limited to drum use
| Polar Pattern | Cardioid, picks up sound primarily from the front |
| Microphone Type | Dynamic |
| Cartridge Design | Tailored for clear sound reproduction |
| Mounting System | Included drum mount for quick attachment to drum rims |
| Swivel Joint | Quick-release latch with bicycle component-locking technology for easy positioning |
| Finish | Black metallic with grille for unobtrusive visual presence |
Honestly, I didn’t expect a small microphone meant for snare drums to feel this solid in my hand. The Shure PGA56 has a weighty, durable feel that immediately signals quality, but what really caught me off guard was how quickly I could position it.
The swivel joint with the quick-release latch is a game-changer. It locks into place with a satisfying click, almost like bicycle component-locking tech.
You can easily adjust the angle without fumbling, which saves so much setup time during live gigs or practice sessions.
The microphone’s tailored cartridge design gives a surprisingly clear, punchy sound—perfect for capturing the snare’s attack without muddiness. The cardioid pattern does a solid job of rejecting background noise, so you get focused, crisp audio even in noisy environments.
Attaching it to the drum rim is effortless with the included drum mount. No need for extra stands or complicated setups.
Plus, the black metallic finish and grille make it unobtrusive, blending into your kit without drawing too much attention.
Overall, I found it to be a versatile second mic—great for quick swaps or tight stage setups. It’s sturdy, easy to position, and delivers clear sound.
Honestly, I’d recommend it to anyone seeking a reliable, no-fuss snare mic that performs well in real-world situations.
Stage Rocker Microphone Stand with Telescoping Boom
- ✓ Solid, weighted base
- ✓ Easy height adjustment
- ✓ Versatile for many uses
- ✕ Slightly bulky when stored
- ✕ Boom extension could be longer
| Height Adjustment Range | 16.54 to 20.87 inches (42 to 53 cm) |
| Base Type | Heavy-duty die-cast steel with non-slip feet |
| Boom Arm Length | Extendable up to 8.27 inches (21 cm) |
| Thread Compatibility | Standard US 5/8 inch (16 mm) threaded mount |
| Material | Steel with powder-coated finish |
| Additional Features | Telescoping boom with T-handle adjustment, cable holder included |
Imagine yourself at a lively gig, the stage lights dimming as you set up your gear. You reach for the Stage Rocker Microphone Stand with Telescoping Boom, noticing how smoothly the adjustable height mechanism moves under your hand.
Its sturdy, weighted base instantly catches your eye, promising stability even during the most energetic performances.
The T-handle adjustment feels solid and effortless, letting you dial in the perfect height without fuss. The telescoping boom arm extends easily up to 8.27 inches, giving you flexibility to position your mic just right—whether snare, tom, or guitar amp.
The molded plastic counterweight keeps everything balanced, so no wobbling or slipping.
Using the stand, you’ll appreciate the quick-release steel clutch, which locks everything securely in place. The non-slip feet absorb vibrations, making sure your mic stays put on different surfaces.
The clip-on cable holder keeps cords tidy, reducing clutter and tripping hazards on stage.
Its versatile design means you can use it for studio recordings, live shows, or even church choir setups. The durable coated steel looks good and lasts through years of wear, plus it’s lightweight enough to move around easily.
Overall, this stand feels reliable, versatile, and perfect for both on-stage and studio needs.
What Features Make a Snare Mic Ideal for Your Setup?
When selecting the best second snare mic, several features should be considered to enhance your recording setup.
- Frequency Response: A good snare mic should have a frequency response that captures the bright, crisp tones of the snare drum. Typically, a range from 40 Hz to 20 kHz is ideal, allowing for both low-end punch and high-end clarity.
- Directional Pattern: A cardioid or hypercardioid polar pattern is preferred for snare mics. These patterns help isolate the snare sound while reducing bleed from other instruments, ensuring a cleaner mix.
- Transient Response: The ability of a mic to accurately reproduce transients, which are the initial peaks of sound, is crucial for capturing the sharp attack of a snare hit. A mic with a fast transient response will deliver a punchy and articulate sound.
- Build Quality: Durability is essential, as mics used for live performances or in studio settings can be subjected to high volumes and physical handling. A robust construction will withstand the rigors of regular use without compromising sound quality.
- Versatility: The best snare mics can perform well in various settings, from live gigs to studio recordings. Look for mics that can adapt to different snare sizes and styles, providing flexibility in your sound setup.
- Price Point: While high-end mics may offer premium features, there are also excellent budget options that provide great sound quality. Finding a mic that balances performance and cost is key, especially if it’s a second mic in your setup.
How Does Frequency Response Impact Snare Mic Performance?
Transient Response: A microphone with excellent transient response will accurately capture the quick bursts of sound produced when the snare drum is struck. This characteristic is crucial for achieving a punchy and articulate snare sound, ensuring that the mic can convey the energy and dynamics of the performance effectively.
What Role Does Sensitivity Play in Choosing a Snare Mic?
Sensitivity is a crucial factor in selecting the best 2nd snare mic as it determines how well the microphone can pick up quiet sounds relative to louder ones.
- High Sensitivity: A high-sensitivity microphone is capable of capturing subtle nuances in the snare’s sound, making it ideal for genres that emphasize dynamic range, like jazz or acoustic performances.
- Low Sensitivity: Low-sensitivity mics are generally used in louder settings where excessive sound pressure can lead to distortion; these are suitable for heavier music styles like rock or metal, allowing clear capture of the snare without being overwhelmed by surrounding noise.
- Frequency Response: The frequency response of a microphone affects how well it captures the specific tonal qualities of a snare drum. A microphone that can accurately reproduce the mid to high frequencies will enhance the crack and snap of the snare, crucial for defining its sound in a mix.
- Polar Pattern: The polar pattern influences a microphone’s sensitivity to sound from different directions. A cardioid pattern, for example, focuses on sound from the front while rejecting noise from the sides and rear, making it a popular choice for snare mics in live settings.
- Dynamic vs. Condenser: The type of microphone also plays a role in sensitivity. Dynamic microphones typically have lower sensitivity and are better suited for high sound pressure levels, whereas condenser microphones are more sensitive and can capture a wider range of sounds, making them versatile for different playing styles.
What Are the Top Recommendations for 2nd Snare Mics?
When selecting the best 2nd snare mic, several high-quality options stand out for their performance and reliability.
- Sennheiser e604: This dynamic microphone is renowned for its ability to capture the punchy sound of snare drums without overwhelming the mix.
- Shure SM57: A classic choice, the SM57 is versatile and durable, making it a go-to for live performances and studio recordings alike.
- Audix i5: The Audix i5 offers a smooth frequency response and exceptional sound isolation, perfect for snare miking in loud environments.
- AKG C451 B: This condenser microphone provides excellent sensitivity and detail, making it ideal for capturing the nuances of snare drum sounds.
- Rode NT5: Known for its clarity and flat frequency response, the Rode NT5 is a great choice for those looking to achieve a more natural snare sound.
The Sennheiser e604 is a dynamic microphone specifically designed for drums, featuring a compact design that allows for easy mounting and positioning. Its high SPL handling means it can capture the aggressive transients of a snare without distortion, ensuring a clear, punchy sound that cuts through the mix.
The Shure SM57 has been a staple in the music industry for decades due to its reliability and versatility. It can handle high sound pressure levels while delivering a balanced frequency response, making it suitable for both live and studio applications, especially on snare drums.
The Audix i5 is praised for its durable build and exceptional isolation capabilities, which help reduce bleed from other instruments in a live setting. Its tailored frequency response enhances the crack and body of the snare, providing a focused sound that works well in various musical genres.
The AKG C451 B is a small-diaphragm condenser microphone that stands out for its sensitivity and ability to capture high-frequency details. This microphone is particularly effective when used in studio settings, where it can reveal the subtle characteristics of the snare, adding depth and clarity to recordings.
The Rode NT5 offers a pristine audio quality with its flat frequency response, making it excellent for capturing the full range of the snare drum’s sound. Its compact size and high SPL handling make it easy to work with, and it is favored by many engineers for its ability to provide a natural and open sound.
Which Brands Are Recognized for Producing Quality Snare Mics?
Several brands are recognized for producing quality snare mics that are ideal for capturing the unique sound of snare drums.
- Shure: The Shure SM57 is a legendary dynamic microphone favored by many drummers for its durability and versatility.
- Sennheiser: The Sennheiser e604 is designed specifically for drums and offers a clear, focused sound that excels on snare drums.
- Audiotechnica: The Audio-Technica ATM650 is known for its excellent transient response and ability to handle high sound pressure levels, making it ideal for snare applications.
- Beyerdynamic: The Beyerdynamic M201 TG is a dynamic microphone that delivers a warm and natural sound, perfect for capturing the nuances of snare drums.
- Rode: The Rode M5 is a small diaphragm condenser mic that provides detailed sound reproduction, great for studio or live settings on snare drums.
The Shure SM57 is a legendary dynamic microphone that has been a staple in the music industry for decades. Its rugged construction and ability to handle high SPLs make it an excellent choice for snare drums, as it captures the sharp attack and resonance without distortion.
The Sennheiser e604 is specifically engineered for percussion instruments and features a compact design that allows for easy placement on snare drums. Its frequency response is tailored to enhance the snare’s tonal qualities, resulting in a crisp and articulate sound.
The Audio-Technica ATM650 offers a superior transient response and can handle high SPLs, making it a perfect match for the dynamic nature of snare drums. Its cardioid polar pattern helps to isolate the snare while minimizing ambient noise, ensuring a clean recording.
The Beyerdynamic M201 TG is a dynamic microphone that provides a warm and natural sound, making it ideal for capturing the subtle nuances of snare performance. Its excellent off-axis rejection helps to focus on the snare while reducing bleed from other instruments.
The Rode M5 is a small diaphragm condenser microphone that excels in studio environments, particularly for snare drums. Its detailed sound reproduction and wide frequency response make it suitable for capturing the full character of the snare, whether in a recording or live performance setting.
How Can Proper Mic Positioning Optimize Snare Sound?
Proper mic positioning can significantly enhance the sound quality of a snare drum, especially when selecting the best 2nd snare mic.
- Distance from the Snare: The distance between the mic and snare drum affects the sound capture, with closer positioning providing a more direct and focused tone.
- Angle of the Mic: The angle at which the mic is placed can influence the snare’s attack and overtones, allowing for a more tailored sound based on the desired characteristics.
- Type of Microphone: Selecting the right type of microphone, such as dynamic or condenser, can yield different results in terms of sensitivity and frequency response.
- Placement Relative to Other Drums: Considering the positioning of the snare mic in relation to other drums can minimize bleed and enhance the clarity of the snare sound.
- Using a Second Mic for Layering: A second mic can be used to capture the snare’s sound from a different perspective, allowing for richer layering in the mix.
The distance from the snare affects the sound capture; placing the mic closer results in a more direct and punchy tone, while moving it further away can create a more ambient sound. Experimenting with distance can help achieve the perfect balance for the intended genre.
The angle of the mic plays a crucial role in shaping the snare’s sound. By tilting the mic towards the drum head, you can emphasize the attack, while angling it towards the rim can enhance the snare’s overtones, allowing for more tonal versatility.
Choosing the right type of microphone is essential for achieving the desired sound. Dynamic microphones are often used for snare drums due to their durability and ability to handle high sound pressure levels, while condenser mics can capture a broader frequency range, making them suitable for more detailed recordings.
The placement of the snare mic relative to other drums is crucial in a live or recording setting. Proper positioning can help reduce bleed from other instruments, ensuring that the snare sound remains clear and prominent in the mix, which is especially important in dense arrangements.
Using a second mic for layering opens up creative possibilities. By placing it at a different angle or distance, you can capture unique elements of the snare sound, such as room ambiance or additional tonal characteristics, which can be blended in post-production for a fuller sound.
What Techniques Should You Use for Positioning Your 2nd Snare Mic?
- Placement Above the Snare: Position the mic about 6 to 12 inches above the snare drum, angled slightly downwards. This setup captures the snare’s attack and tone while minimizing bleed from other drums.
- Use of a Dynamic Microphone: Opt for a dynamic mic for its ability to handle high sound pressure levels without distortion. This choice ensures that the snare’s sharp transients are captured clearly, making it ideal for live settings.
- Phase Alignment: Ensure that both snare mics are in phase with one another to avoid any cancellation effects. This can be achieved by adjusting the distance of the second mic or using an audio interface to monitor and adjust the phase during mixing.
- Positioning Relative to the Hi-Hat: Place the second mic to the left of the snare (for right-handed drummers), close to the hi-hat. This captures the snare’s sound while also picking up some of the hi-hat’s articulation, adding a natural feel to the mix.
- Experiment with Distance: Try positioning the mic at varying distances from the snare to find the sweet spot. A closer mic will capture a more direct sound, while a further one may add more room ambiance, which can be desirable in certain musical contexts.
What Are the Benefits of Using a 2nd Snare Mic in Your Drum Kit?
- Enhanced Sound Capture: A second snare mic allows for capturing a more nuanced sound of the snare drum by positioning it differently, which can highlight various tonal qualities.
- Isolation of Snare from Other Drums: With a second mic, you can achieve better isolation of the snare sound, reducing bleed from other instruments and improving overall clarity in recordings.
- Layering and Blending Options: Having two mics on the snare gives you the opportunity to layer sounds in post-production, allowing you to blend different tones for a richer snare sound.
- Dynamic Range Control: A second mic can help manage dynamic range by capturing softer hits more effectively, ensuring that all playing styles are well represented in the final mix.
- Versatility in Mixing: With a second mic, engineers have more flexibility in mixing, enabling them to adjust levels, EQ, and effects on each mic independently for optimal results.
How Does a 2nd Snare Mic Enhance Overall Drum Sound Quality?
- Improved Snare Definition: A second mic placed on the snare can capture its sound more precisely, allowing for clearer articulation of ghost notes and rim shots. This added detail helps to create a more dynamic and expressive sound, ensuring that the nuances of the drummer’s playing are not lost in the mix.
- Enhanced Stereo Imaging: Utilizing a second snare mic can create a wider stereo image, making the drum kit sound fuller and more immersive. By positioning the mics strategically, engineers can achieve a sense of depth, allowing the snare to sit prominently in the mix while maintaining a natural drum kit balance.
- Isolation of Snare Sound: A dedicated second snare mic can help isolate the snare from other drum sounds, minimizing bleed from other instruments. This isolation is crucial for achieving a clean and focused snare sound, especially in live settings or dense recordings where clarity is paramount.
- Flexible Mixing Options: Having a second snare mic provides sound engineers with more options during the mixing process. Different mic placements and types can be blended to create a unique snare tone, allowing for creative adjustments that enhance the overall drum sound, whether it be a crisp high-end or a deeper, more resonant low-end.
- Better Phase Coherence: When positioned correctly, a second snare mic can improve phase coherence between the mics, resulting in a more unified sound. This careful management of phase relationships can prevent issues such as muddiness or cancellation, ensuring that the final mix retains its punch and clarity.